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Contents
ELLEN CHANCES: Tarkovskii's Film The Sacrifice and its Russian Liteary Roots 9
E.W. CLOWES: Berdiaev's Samopoznanie: Philosophical Autobiography as Creative Act 21
JULIAN W. CONNOLLY: Metamorphosis of a Dreamer: From Dostoevskii's "White Nights" to Nabokov's The Eye 31
JOSEPH L. CONRAD: Devils and Devilry in Chekhov's Vory 39
CRAIG CRAVENS: A Proliferation of Prolixity: The Multiple Narrators of Jaroslav Hašek's The Good Soldier Švejk 47
DAVID S. DANAHER: Conceptual Metaphors for the Domains TRUTH and FALSEHOOD in Russian and the Image of the Black Sack in Tolstoi's The Death of Ivan Il'ich 61
ANDREW R. DURKIN: Pushkin and Joseph Conrad: From the Povesti Belkina to the Limits of Parody 77
DAVID A. GOLDFARB: Gogol's Cornucopia: Dead Souls and Arcimboldo 85
JANE GARY HARRIS: Damskii Mir and the Gendering of the Occult 99
SUSAN MCREYNOLDS: From Cultural Curator to Religious Savior: Dostoevskii's Changing Vision of Russia's World Role 115
JASON MERRILL: Fedor Sologub's Symbolist Recreation of Lev Tolstoi 123
CATHARINE THEIMER NEPOMNYASHCHY: Koshkin Dom: Following the Golden Shoelace 139
ROBERT A. ROTHSTEIN: From the Traditional Ballad to the "Cruel Romance" 151
DARIUSZ TOÄ¿CZYK: Literature of the Gulag in the Context of Nazi Camp Literature: Towards a Poetics of Testimony 167
CAROL R. UELAND: Joseph Brodsky and Aleksandr Kushner: The Relationship in Verse 181
RUSSELL SCOTT VALENTINO: What's a Person Worth: Character and Commerce in Dostoevskii's Double 203